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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the pioneering techno group The Grid, who secured chart success with 1994's Swamp Thing.

Ball died calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up injure myself significantly," he stated in 2023. "I broke lower vertebrae in my spine and cracked about multiple ribs and broke my arm."

Following contracting pneumonia and developing blood poisoning, he was placed in an induced coma and remained in hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the latest project that we actually completed only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his first name from his birth name to David, alongside his younger sister Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after watching Kraftwerk perform on BBC science show a popular series, and began to combine dark electronica to the catchy tunes Almond was writing.

Their signature song became the UK's second biggest-selling single of the early 80s, shifting millions of units worldwide. Together with hits by other artists, Human League and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Career Highlights

Success had its upsides. "I loved being able to purchase my initial property, having financial security and travelling, which might seem like a Miss World," Ball recently shared with a publication.

But it also presented challenges. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a follow-up memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, releasing the charting album Cruelty Without Beauty.

Following a further hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on 30 September, that year.

Yet, they stayed active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's new album as a tribute to the New York club scene they frequented while recording their initial records.

He added that his period in medical care had shaped the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were completed only days before Ball died. It is due for launch in Spring 2026.

The writer

Theresa Cummings

A gaming industry analyst with over a decade of experience in technology trends and strategy development.

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